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The ''Hundred Guilder Print'' is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an impression (copy). It is also called ''Christ healing the sick'',〔(【引用サイトリンク】url=http://www.masterworksfineart.com/inventory/1641 )〕 ''Christ with the Sick around Him, Receiving Little Children'', or ''Christ preaching'',〔 since the print depicts multiple events from Matthew 19, including Christ healing the sick, debating with scholars and calling on children to come to him.〔 The rich young man mentioned in the chapter is leaving through the gateway on the right.〔(Hundred Guilder Print ), Rijksmuseum. Retrieved 4 September 2011.〕 In this work, Rembrandt broke from the long-standing Northern European tradition of ascribing devotional qualities to religious paintings. Instead, Rembrandt depicted Biblical events as tender instances of piety and serenity. The print is reminiscent of many other Christian religious artworks because it clearly focuses on the figure of Jesus in the centre of the scene. It differs, however, in that it is not based on a single biblical story. Through his use of recognizable figures, Rembrandt illustrates various themes and events from Matthew 19. The wealthy youth seated with his head in his hand recalls Christ's admonition against amassing excess wealth, and the mothers presenting their babies to be blessed symbolize Christ's acceptance of all his followers, no matter how individually insignificant. Thus, the etching served an edifying purpose for Rembrandt's original audience because it presents many religious messages all packed together.〔 Rembrandt worked on the ''Hundred Guilder Print'' in stages throughout the 1640s, and it was the "critical work in the middle of his career", from which his final etching style began to emerge.〔Christopher White, ''The Late Etchings of Rembrandt'', (London: British Museum/Lund Humphries, 1969) pp. 6–10.〕 He probably completed it in 1649.〔 Although the print only survives in two states, the first very rare, evidence of much reworking can be seen underneath the final print and many drawings survive for elements of it.〔 Wieseman describes the etching as a "technical tour de force, incorporating an enormous diversity of printmaking styles and techniques":
==The Baillie Print== Around 1775, Captain William Baillie printed an 100 impression edition of an extensively re-worked, by his own hand, version of Rembrandt's original copper plate.〔 He acquired the plate, already worn down by repeated printings, from the painter and engraver John Greenwood.〔 As an engraver himself, Biallie attempted to restore the work, but his effort was considered "hard and unfeeling, lacking all the subtleties of Rembrandt's own work".〔 After his edition, Baillie cut the plate into four pieces, reworked them further, and had them printed as separate images. To the reduced center fragment with Christ, he added the frame of an arch.〔〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hundred Guilder Print」の詳細全文を読む スポンサード リンク
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